Monthly Archives: June 2011

Exclusive Alison Myrden Interview

Chase: “Alright everybody, Chase March here with Alison Myrden at the Toronto Freedom Festival. You can download this interview to listen to whenever you like, you can stream it with the player below, or you can just continue reading.

So, how’s it going Alison?”

Alison: “Hey everybody, how’s it going? Hey Chase!”

Chase: “It’s good to see you.”

Alison: “It’s good to see you too.”

Chase: “I know we talked to you last year about this, but for anyone who wasn’t listening last year, why are you here and what’s your involvement?”

Alison: “I am always here for the same reason, and I’ve been coming out before there WAS a march in Toronto. We have been sharing the message that not only do we want cannabis legalized and regulated here in Canada for EVERY possible reason: religious, medical, social, anything you can think of. Cannabis needs to be legalized and regulated once and for all, and today is the day we speak about that.”

Chase: “Definitely. Yeah, so there are lots of people out today. It’s a nice sunny day. Everyone is out to support it, and for a lot of different reasons.”

Alison: “Yeah.”

Chase: “One of your reasons is medical.”

Alison: “You bet. I am actually one of Canada’s first medical marijuana patients and have been since 1994, and I find that I need some help here in the country because I choose medical marijuana long before there was such a thing as medical marijuana and I end up, luckily, getting a lot of people to understand what I was talking about because they too were finding the same thing with cannabis and it was a good reason to get away from pharmaceuticals and use something a little more natural, a little safer. So I have been fighting for the right for people to use medical marijuana here in Canada since, like I said, openly since about 1999 – 2000, but again I have had my own license since 1994. Been going for a long time Chase!”

Chase: “Yeah, definitely. And the Toronto Freedom Festival has been going for a long time too right?

Alison: “This is the thirteenth year!”

Chase: “But we have had some problems with it this year. I know we here at DOPEfm did not really know what was going on or who was going to be here. The permits weren’t available-”

Alison: “Yeah, it was canceled completely at one point till Tommy Chong saved the day for us in California.”

Chase: “Nice.”

Alison: “I don’t know if people know about that. There was a big YouTube Toronto Freedom Festival video with Tommy Chong which is absolutely hilarious.

Alison: “Tommy is the man, I’m telling you, and he is one of the reasons we saved the Toronto Freedom Festival this year here in Canada, and the Global Marijuana March.”

Chase: “Wow! Do you think that there will be a problem with it next year?”

Alison: “Absolutely not, we are not going anywhere – can’t you tell – I have heard one guesstimate of thirty thousand people and that was around one o’clock. And you know what I heard too? That a lot of people are getting ready if they are not already going out on the march. The march started at 1:45 and they said the park was to be empty and there are probably about fifteen thousand people minimum that I can see alone when I look out now, and apparently there is a good chunk of them again, but I did see the first group leave for the march about twenty minutes ago.”

Chase: “Yeah, I think there are a couple of waves, about three or four waves of marchers going out.”

Alison: “There are about three or four waves just to reduce the numbers because there are so many people again this year. Chase, it’s unbelievable. It gets bigger and bigger every year. We are not going away. We are not going to stop spreading the message that this isn’t fair to arrest non-violent drug offenders. It’s not fair.

I also wear another hat, I’m a speaker for LEAP Law Enforcement against Prohibition and I have been trying to legalize and regulate all drugs for the last, probably, two decades. I am not a noble person. I am 47 years old, and I have been fighting this for a long long time and I need you guys to step up and take the reins now. I’m in a wheelchair and I’ve been fighting every day of my live. My health, battling chronic progressive Multiple Sclerosis, and a violent pain in my face 24 hours a day that I rarely get relief from unless I have copious amounts of cannabis. So we need you guys, Chase, for sure.“

Chase: “I know a lot of people out there, like me, who don’t smoke and don’t participate in that culture are actually really surprised. When I came here last year, I was actually a little bit scared.”

Alison: “I bet.”

Chase: “I didn’t know what was going to happen-”

Alison: “Right.”

Chase: “Everybody here, I swear, is super friendly.”

Alison: “Exactly – fabulous people”

Chase: “Fabulous people.”

Alison: “Cannabis culture is a culture of its own. These people are not thieves, they’re not drug addicts, they’re not bad people in any way. We are people that love each other, we love this plant, and we love the earth we live on. We want people to live in harmony and we want people to get welcomed. That is all we all want.”
Chase: “Yeah, so, it’s pretty cool to see that. I mean, that kind of breaks – I mean I know some people have images and stereotypes.”

Alison: “They sure do!”

Chase: “And why they want to say, ‘Oh it’s a drug! Let’s shut it down, let’s jump on that! And really, as far as harmful effects go, I mean, just like anything there are some-”

Alison: “I’d like to know what you found.”

Chase: “But there is a lot more harmful stuff-”

Alison: “I have a website called the Medical Marijuana Mission that we have had over 50 million visitors to from all over the world disputing that garbage our governments all around the world have been telling us – the lies about cannabis and other drugs.

What I would like people to know is that drugs are not harmless in any way, but that some drugs are maybe a little more beneficial than some. Not only medically, but as I said, some people use cannabis for example religiously, a lot of people smoke it socially.

What I am trying to do, I’m also a retired law enforcement officer, and what I am trying to do again is trying to get these drugs all regulated and legalized and all given an age limit and given an umbrella to be put under so that basically children won’t have access to them the way they do now.

As it stands now, when I became a medical marijuana patient a number of years ago here in Canada, I had nowhere to go but the street for my medicine and children were the first ones to offer me help. That is wrong and that caused me serious serious doubt about our country.”

Chase: “Yeah, that’s pretty scary.”

Alison: “It is pretty scary.”

Chase: “The access kids have to things. I’m an elementary school teacher and a student in grade 5 this year got suspended because she brought some cannabis in.”

Alison: “I’m not surprised.”

Chase: “Where does she get it from? I’ve seen grade 8’s before hiding over there-”

Alison: “Yeah, you bet.”

Chase: “So, the kids have access to this stuff already.”

Alison: “Faster and easier than medical patients who are licensed like myself Chase. That’s terrible! That’s not acceptable in my country. Not at all!”

Chase: “Yeah, but the other interesting thing here is that I see kids here. There are some families here at the festival today.”

Alison: “Yes there are! And we say, bring your children and make them understand. Drugs are not all for social use, and at LEAP we don’t ever condone the social use of any drug. I happen to be a medical patient and I have, yes, tried cannabis before when I was younger, but I would not have been able to have my career in law enforcement if I had kept with it. I decided to put that aside while I was getting older to work on my carrier in law enforcement and then I got sick and everything came back in full force to me and full circle, so much so that all of a sudden I had to use cannabis and couldn’t go without it, and then my job was in jeopardy. So what did I do?

I had to retire because of my health, but to this day I probably couldn’t go back to my job in correction, as a corrections officer, as I was for over a decade in Canada, because of using and choosing cannabis as medicine and not being able to go without it anymore. Mainly because that’s my choice, I don’t want to take all the pharmaceutical drugs they want me to take. I can go back to work if I took all my pills, but then I couldn’t even work so what would be the point?”

Chase: “Yeah, because they weren’t as effective right?”

Alison: “Right, not barely. I’ve got a violent pain in my face, Chase, that I have 24 hours a day. I doesn’t go away. I’ve had it for 19 years and I get no relief unless I use copious amounts of cannabis all the time, including morphine, I can’t get away from using morphine and cannabis, but I can use far less morphine if I use cannabis. And I also was able to eliminate over 32 other pills that I took, for 18 years, Chase, that got me up to over 50 pills a day at one point. So, now I no longer take all those pills, I just use a lot of cannabis and morphine and basically that’s it. So that was a real turn around in my life.”

Chase: “That’s really interesting, because, I know myself I’m kind of straight edge .”

Alison: “Right, that’s cool though.”

Chase: “If I have a headache I don’t take a Tylenol.”

Alison: “That’s very cool.”

Chase: “But some part of me thinks that all the drugs that the doctors prescribe are not necessarily a great thing for people to be having. And it sounds like you needed quite a lot for a long period of time.”

Alison: “Chase, if I stood up now I have the most violent shake in my right leg, from medication that I can’t get rid of. The doctors tell me that it may go away, but that’s what I live with. I had medication that kept me in a wheelchair, and you saw at one point, my head and neck shook so violently that it went from one of those little puppy dogs in the back of a car window.”

Chase: “Oh, wow.”

Alison: “Because every time I went to talk with my head shaking, I could not control it until somebody stopped and held my head because it was that uncontrollable, but that’s the way Multiple Sclerosis works. I have also gone blind from it; I have gone deaf from it for over a year in one ear, everything you can think of. I lost full feeling from the waist down, could not walk at all years ago. I’m walking again because of the vitamins, fatty acids, antioxidants, and cannabis that I rely on now that are all natural therapies, instead of 32-50 pills a day that the doctors gave me for 18 years.”

Chase: “That’s awesome!”

Alison: “It’s unbelievable!”

Chase: “When I first rolled through here today I saw you walking around and I was like IS THAT Alison? Because that’s really cool to see!”

Alison: “You better believe it – I’m getting better and better every year, the more I use cannabis the more I can stand on my feet. I used to dance up a storm all the time, I can’t dance as much as I used to anymore but I’ll tell you, I’ll never stop dancing in my head.”

Stranger: “Alison, this is for you here” (hands her a bag)

Alison: “Awwww, thanks, thank you. People are so fabulous here, I’m telling you.”

Chase: “Yeah, everyone is really friendly at Toronto Freedom Fest here.”

Alison: “We’re all loving and giving and a lot of us know each other and love each other and a lot of us have been working a lot of years on this all over the world Chase. I don’t just do things in Canada. As you know, LEAP is Law Enforcement Against Prohibition whom I speak for as well is a US organization and I just got asked to speak for another US organization involved in protecting patients, which is a really cool organization. Involved are a couple of us from LEAP.

One of the fellows who started it is named Nate Bradley, and he is a younger guy than I am, and basically he decided as a law enforcement officer that maybe there was some truth to the fact that those of us up in Canada and other places where using marijuana to feel better and it was working. So he tried it and now he has started this group called Men Protecting Patients because of it. So I am one of their now most vocal spokespeople again, so I wear a lot of hats, I love it!”

Chase: “Wow!”

Alison: “I’ve been busy!”

Chase: “Yeah, it’s interesting to see how certain law enforcement, and even teaching styles I know are kind of changing became we see that there is a different way to do things.”

Alison: “Exactly.”

Chase: “You know, just because we always did it this way doesn’t necessarily mean we should continue to do it that way.”

Alison: “Yeah.”

Chase: “You know, there are better ways to reach people and to communicate certain messages. I know the same thing has been happening with gang violence.”

Alison: “You bet it has.”

Chase: “If we can get those kids to do something-”

Alison: “Productive-”

Chase: “Productive and positive-”

Alison: “And keep them busy-”

Chase: “And giving them programs so that they don’t fall into that kind of thing.”

Alison: “You bet.”

Chase: “And then we have these kinds of education and different things. You speak really intelligently and with such purpose about this.”

Alison: “I am very passionate about my fight, I really am. At one point it was only me and my partner Gary Lynch, the two of us were out roaming the streets literally on our own everywhere we went. You know, we came to Toronto and said we could make more noise in Toronto and we got that spark right away.

When I came out of the media I went to the local media in Toronto, not where I live in Burlington. Burlington is a great little town, I love that city I should say, wonderful city, but I knew I would get national attention if I came out about medical marijuana in Toronto. I knew that, Chase, and that’s the thing I wanted, I wanted to make every single household all over the world by the time I was done, have medical cannabis or marijuana as a topic on their table at dinner. I wanted everybody talking about it, and we have done nothing ever since but make it grow larger than we could have ever imagined. All over the world.”

Chase: “Wow, amazing. Toronto certainly is a force and it is kind of cool that you being from Burlington and us being from Hamilton, that we are a hop, skip ,and a jump from here, so we can tap into that.”

Alison: “Toronto is a hub.”

Chase: “We can really use our location.”

Alison: “We sure can, especially with the media though Chase, because the media is the message remember. The kids need to know too – all you guys who are listening out there – this issue is so important to people like me. Look us up on some of these forums that we are on, check me out on Twitter, I’m Alison Myrden. Check it out, go out there and know what you are talking about when you go to talk about this at school and to your friends and to your family. I want you to also check out another really incredible group, a young fellow who was out with me last year who I am kind of sad isn’t here this year, Caleb Chepesiuk.”
Chase: “Yeah.”

Alison: “Caleb is from students for sensible drug policy. A lot of you guys know of him out there in radio land for sure. Caleb has actually been a driving force behind the Students for Sensible Drug Policy Group here in Canada and actually speaks very openly and very publicly about the issue that would concern a lot of the students that you have listening in.”

Chase: “That group is also on Twitter.”

Alison: “And we are on Twitter, I mean they are, they are also I know at McMaster, UofT, and Ottawa. There are some bigger city’s starting first, there may be other groups that I’m not aware of that involve students for sensible drug policy here in Canada, but again, I’m just kind of running with one’s off the top of my head right now. But I know Ottawa is the biggest one and that’s where it started here in Canada, the Canadian students for sensible drug policy, check them out for sure.”

Chase: “Yeah and anyone listening back there, just dig through our archives and you can listen to that interview from last year.”

Alison: “Super.”

Chase: “That was pretty good talking to Caleb last year as well.”

Alison: “Good. Also, just to let you know, for educators like yourself, Chase this is very important, there is another group called Educators for Sensible Drug Policy and I would love for you to check them out. They actually might give you a real eye-opener if you are an educator out there or a professor or somebody listening in who teaches students of any kind, check them out: Educators for Sensible Drug Policy, a real real fantastic alternative to something that is really harmful like DARE.”

Chase: “Wow!”

Alison: “Seriously, check them out. I think you will be really pleased and really really surprised.”

Chase: “Very cool, Awesome. Well, it is always a pleasure talking to you and seeing you around, so thanks for taking the time.”

Alison: “Always my pleasure darling, always my pleasure.”

Chase: “Awesome, and we’ll get back to Daddy J now, I know he’s got some stuff from the main stage that he is going to air. Bands are playing in the background but we got some speakers coming up and you will be able to listen to them.”

Alison: “Beautiful, stay tuned you guys, you ain’t herd nothing yet! Thanks again Chase, take care Daddy J. We will be in touch.”

Chasing Content – Archive

Chasing Content is a monthly feature here on Silent Cacophony.

This is how it works, at the start of each month I look back at the blog entries I posted the previous year in that month and highlight some of my favourites. This gives us a chance to dig through the old posts and unearth some gems that might otherwise get buried in the archives.

This page will be the table of contents of all of these “Best Of” posts.

I will update this page every time I post a new Chasing Content entry. It is my goal to archive every single month.

I hope you will take some time to dig through the archives.

Thanks for visiting.

2007

March, April, May, June, July, August, September, October, November, December

2008

January, February, March, April, May, June, July, August, September, October, November, December

2009 

January, February, March, April, May, June, July, August, September, October, November, December

2010

January, February, March, April, May, June, July, August, September, October, November, December – 300th Post of the Year

2011

January, February, March, April, May, June, July, AugustSeptember, October, November, December

2012
2016
January, February, March, April, May, June, July, August, September, October, November, December
2017
January, February, March, April, May, June, July, August, September, October, November, December

More with Kellee Maize

Chase: “We are back with Kellee Maize. If you missed part one of this interview, go back and read it now. You can also download this whole show for free or stream it with the player below.

We just played the track ‘Third Eye.’ That was my first taste of Kellee Maize who, I believe, is the number one female rapper on Amazon right now. It’s nice to see that you have such an online presence. I’ve even seen a few freestyle videos where you are in a cypher with a whole crew. It’s nice to see a female rapper spitting like that and being able to form that kind of a community. So, do you find that there are barriers being a rapper and being a female?”

Kellee: “I think if you had asked me that a couple years ago when I really started performing heavily, I might have said that. Over the last four years, I’ve probably done 200 shows. I’m not really sure how many, it feels like a ton. Most of those shows were in Pittsburgh and it felt like I was always being booked with men.
A lot of the times, I was really connected myself because I am a natural promoter. I know everyone and I’m always connecting with a lot of different people so I would hear about opportunities, I think, just because I was a promoter and they were, ‘Oh, she’ll help us bring people,’ or whatever it may be. That’s not to say that I haven’t been respected for my craft. It just seemed that I was one of none that were out there.
There are a couple promoters out here and there are some amazing female emcees in Pittsburgh and I slowly started to learn about them. But at the same time, I think the reason that some of them aren’t quite as active is that it is still sort of a man’s game. In general, the promoters who are doing the shows are still, by and large, men.
To me, I look at something like that and I believe you just got to study, create it, and look passed it. It’s not necessarily an issue. You don’t have to see it as a problem. You just need to create whatever it is you’re going to do.
But in the past, I definitely would have thought that like, ‘Why is it so difficult to be a woman in this scenario?’ And obviously, if you look at the main stream, until Nicky Minaj, there was nothing. There had been Lil Kim, Foxy, and ten years ago there seemed to be a little bit more, but even then the ratio is still pretty heavy on the male side.
It’s been more difficult and I have probably 20 theories as to why that is. But at this moment in time, if a woman is really passionate and serious, she can make it happen. You hear people say, ‘Oh, if you’re a woman and you’re not good, you’re immediately dismissed.’
But the same thing happens with men. If you can’t rhyme or you can’t hook people’s attention or don’t have content that anyone is interested in, it doesn’t matter if you’re male or female, you probably won’t get anywhere. But at the same time, those people would argue listening to main stream hip-hop,’How are some of the main stream artists really getting anywhere with the content and the style that they use?’ It’s all a conversation. To me, it is just about creating whatever it is you want to create.”
Chase: “Very cool. I want to spin another one of your tracks that I find amazing too. I want to play ‘Revival of the 5th Sun’ because you are rapping over Mobb Deep but I really like what you do on the track. If you know the original and you rap it in your head, the same time that you’re listening to you rap it, you have the same cadence with different words and a very different message than the original track. I want out listeners to hear it and feel the vibe you got going on that one.”
Kellee: “Cool, thank you.”
Chase: “So, we’ll spin that track and we’ll be back to wrap us this interview with Kellee Maize.”
Chase: “That was ‘Revival of the 5th sun’ by Kellee Maize. I don’t know what that title means but I really like that track.”
Kellee: “Depending on who you talk to, in terms on Mayan Scholars that talk about the 2012 propehcies, the Mayan calendar and whatnot. Some say that we are in the 4th sun and we’re entering the 5th sun. Some say we’re in the 5th sun and we’re starting a new series. There are 5 suns in the Mayan calendar and each represents a certain period of 5,000 years. One sun is 5,000 years – I don’t want to get too complicated.
I actually chose the 5th sun because ever since I learned about the Mayan prophecies, I have been told that we are in the 5th sun. There is such this fear that the world is going to end, but really the Mayan prophecy just says that there is a new world coming and that the structural systems that are in place are going to fall apart. But in my opinion, that is already happening. The world isn’t going to end. The emergence of using totally different parts of our brains and the consciousness of separation is changing to a consciousness of unity.
As humans, we really need to feel the separation at its worst imaginable place to come to unity. In a nutshell, that is what it means but it’s a it more complicated. I think that we are exiting the 5th sun, but either way the title still works.”
Chase: “Well, I’m hoping we can build a culture of inclusion instead of exclusion. It seems to me that society is pretty adversarial these days, just the way people talk to each other and the reality TV shows that seem to be really popular. It seems like going away from where we should be going and talking about unity, and peace, and love, and all the things you talk about in your music. That is one of the reasons I find it refreshing to listen to you.”
Kellee: “Good! I’m glad. I’m hoping I can presence people to that because it really is there. If you look and really focus your attention on love and turn off the TV and turn off a lot of the things that are bombarding us with fear. There are definitely things happening. The other side is very strong and there’s a very serious change that needs to be made. We are gonna feel both sides of the mirror, so to speak, but for me, I really intend my music to be a vehicle for people to rally themselves in the face of agreement in the whole world.”
Chase: “For sure. So, how can people find out more about Kellee Maize?”
Kellee: “Well, the easiest way is to Google ‘female rapper,’ I actually come up first – KelleeMaize.com. I worked on that for a long time. You can download my music for free. You can also search for me on Amazon. I’m obviously on Facebook and pretty much any imaginable portal for music, if you can remember my name or Google ‘female rapper’ you’ll find me.”
Chase: “Thanks a lot. It has been a pleasure to have you on DOPEfm. We will continue to spin your music. Thanks so much for calling us up.”
Kellee: “Thank you so much, I really appreciate your invitation. I think it is awesome what you guys are doing, so keep it up.”
Chase: “Thanks!”


MusicPlaylistRingtones
Music Playlist at MixPod.com

Kellee Maize Interview

Chase: “All right everybody, this is Chase March and we are lucky enough to have Kellee Maize on the phone. You can download this interview for free, stream it with the player below, or continue reading. So, how’s it going Kellee?”

Kellee: “It’s going great. Thank you.”

Chase: “I’m really excited about having you on the show because I first caught wind of you when I was looking for female rappers online for a show we put together on International Women’s Day.

I saw your video for ‘Third Eye’ and I was really blown away by it. I was really impressed with it. It’s a little bit different than what a lot of people might be expecting from a female MC because you have this spiritual essence that you portray in a lot of your music. I was wondering if you’d like to tell us what that is about and where that comes from?”

Kellee: “It’s kind of my way of life. I, more or less, write about what is present for me at the time, whenever I am writing. I try to be connected to my spiritual, higher self. It’s been a huge part of my life for the past ten years or more. I’m really just writing from what I am learning every day and what I living every day.”

Chase: “Can you tell us a little bit about your writing process, about how you go about writing your songs?”

Kellee: “I would say that it’s different every time, every song is a little different. Generally, the process is, 70% of the time, I get a beat that I like from a producer, or sometimes we actually buy beats online, it depends. And I will just sort of listen to it, over and over and over again, along with all of the other beats that are in my catalogue at the time.

Something happens. Maybe I’m driving to it or I just have it in my head for the rest of the day and something will just spark. I’ll think of a line or two lines, sometimes even 16 bars or 32 will come out from the middle of nowhere. That happens pretty frequently.

Once that happens, then I will sit down with the shell, the one verse, the hook, or something like that, and construct a song and write to the rest of it.

It’s somewhat of an editing process. A lot of what you hear when you hear the completed song is really the first draft. It was kind of what came out. But sometimes once I put it to the beat and I record it, I might switch things up, or changes certain words, realize my diction was a little off, or I’ll want to really focus on a certain idea that wasn’t mature enough in the first draft.

Most of the time, I am writing as fast as I am thinking. It is somewhat of a freestyle in a way. It sort of all comes out.

I write pretty consistently in notebooks. I’ll just be sitting there and out of nowhere think of a bunch of bars, a melody or something like that. I’ll type it in the computer of write it in my book. Once I’ve done that, I go back to it, review it, maybe memorize it, and then I’ll go look for a beat that specifically will fit that melody so that I can re-create the melody a little bit or re-create the way that I am spitting it to the beat.

That’s probably the two main ways. My preference has been to write with a band like I have done in the past. I really love that process of working with live musicians. But, given the status and state of my life and all that I’ve been doing in the world, it’s been a bit of a challenge, at least until this point, to work with a group of live musicians all at once. It’s really do to scheduling.

There are tons of talented musicians in Pittsburgh but they’re all really busy. So, for now, I am just working with me.

Once one of those two ways happen, I record it to the beat and then I work with my recording engineer and my mixing engineer, who is usually the same person, to finalize it, put on some effects, change up the beat, rework the beat or whatever to make the final song. We usually will then send it to get mastered depending on what we are using it for, and then it goes out the door.”

Chase: “You do a lot more that just music. You have a whole foundation, don’t you?”

Kellee: “I started a company about five years ago. It’s more or less female owned and operated, although we do have men that work with us also now. We`re a marketing firm and we`re all sort of activists at heart. We are all into raising awareness or creating positive messages.

We started to really promote independent artists, musicians, and filmmakers, and very quickly realized that we couldn`t really sustain ourselves off of that so we became a full service marketing firm. We work with all kinds of different clients, locally and nationally. We`re still a small outfit overall. We work really, really, really hard to do what we do.

It’s all non-traditonal marketing. We don’t do radio or TV or anything like that. We do online marketing, event planning, and event marketing. We’re all event planners by trade, sort of speak. We also do Facebook and run accounts for different clients and stuff like that. As well as street teams, we will hire different girls or guys to go out and promote different products and become brand ambassadors for all kinds of different things.

It’s definitely like my little baby that is kind of walking and running on its own. I’m just watching it grow, slowly but surely. It’s pretty cool.”

Chase: “That’s awesome! It’s nice to see you’re focused on females as well. Quite often female rappers get overlooked or they don’t get the kind of recognition that their male counterparts do. It’s a shame to see that because there are so many amazing female rappers out there and they are just not getting heard. So it is nice to see you putting some force behind that.”

Kellee: “Yeah, I’m trying. Trying different things. In a way, the business is spiritually based. We don’t necessary use it in a public fashion but in the way we run the business and how we talk to each other and how we deal with issues or problems comes from a spiritual perspective.

My music is something we all felt excited about promoting and seeing how people would respond to it. It’s been pretty awesome so far.”

Chase: “One of the interesting things you do, is give away your music, like all of your music. I know some people do a mixtape and then an album, but if you go to your website, you can download all of your music for free. That is quite different from what most people tend to do.”

Kellee: “We’re trying to do what nobody else does. That’s one of the ways that we determine what to do next, like, ‘Okay, what’s nobody else doing?’ The record industry has completely changed so our main goal is to just give it away for free.

For me, as an artist, I love the idea of it being accessible to everyone. There is not any kind of roadblock for them to listen or have it in their possession. I love that idea. It was a hard decision to come to because as an artist, I have to value my work, I have to get paid for my time and my work, but at the same time, I was so psyched about the idea of having it for free.

It became somewhat of a marketing strategy at the end of the day, because I think when people resonate with something, it doesn’t usually happen until they’ve been exposed to it. You don’t buy the car without test driving it. The same thing goes with new music, like you’ve never heard anything like it before.

You need to get yourself centred into what it is you’re listening to. By giving it away for free, I’m giving them that opportunity and the people that dig it, dig it, and people that don’t, don’t. Hopefully IO can build a community of like-minded people who do like it. And then eventually I’ll be able to sustain myself selling a song a month or touring, that kind of stuff.”

Chase: “That’s an interesting model and an interesting way to take it. I know that you have recently released a few songs with ‘Pay with a Tweet” where you put it on Twitter, ‘I just downloaded Kellee Maize and you can too,’ or something like that. That’s another good way to get the music out there.

It’s interesting to see how you are using the Internet in all these novel ways. The other thing is that your music videos are very well producing. It’s amazing to see that you can have that much quality to them when you give away your music for free.”

Kellee: “We’ve just been really lucky with everything. For me, this is much bigger than music or money. What I talk about in my music, I’m dead serious about it, or alive serious about it. I really am. I believe that there is transformations going on in the planet and it is very important for humanity to take it to the next level.

So, yeah, we’ve been creating visuals, free music, and all of that kind of stuff. It’s really important, we thing, to getting it out there and people paying attention to it. If you look at blogs, or people like yourself who are interviewing me or paying attention, the videos are really, int 80% of the time, seem to be what initially got people’s attention. Once we realized that a video was what was making people pay attention, we got really serious about it.

The cool thing about Pittsburgh is that is is really inexpensive to live here. If I told you what I live off of every month, you’d probably laugh. It’s a great place to live, and the cost of living is so low, and there is so much opportunity here, and there’s so many talented people. A lot of movies have been filmed here. We are covered in colleges and universities.

So there is all kinds of young, aspiring people like myself that have the same vision that I do. They want to get their work out there. They want people to get their message or see their artistic integrity get out in the world so they are willing to work with me for incredibly cheap prices so we can make it happen.

I barter like it’s my job. I really think that it is something that anybody can do. It’s just a matter of committing that this is going to happen. It’s all about creating reality and saying, ‘Okay, this is what’s gonna happen, and I’m gonna focus on the work that will make that happen, and it’s all going to work out.’”

Chase: “That is really cool to see. I know a lot of people say, ‘This is the way you gotta do it. And I’m gonna charge $20,000 dollars for a music video and I’m gonna charge this and that.’ Well, why can’t we work together to get the same vision out. It;s cool to see you combating that kind of thing and really making it work.”

Kellee: “I’ve created all kinds of new friendships and the videographers I’ve worked with. Everyone in all of my videos are friends. I’ve created a community out of everything.”

Chase: “Nice. It’s time to spin one of your tracks. I really love ‘Third Eye.’ It’s one of my favourites. I want to spin that for sure and then come back and talk to you some more.”

Kellee: “Sounds good.”

Chase: “All right, so this is ‘Third Eye’ by Kellee Maize off her album ‘Aligned Archetype.’ Daddy J drop that track and we’ll be right back.”

Come back tomorrow to read the rest of this interview, or you can stream it with the player below to hear the whole thing right now.

Thanks for tuning in.

Read Part 2


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Inspiring Students to Work

“Work to Learn – The person who does the work is the ONLY one who learns.”

I can’t take any credit for creating this motto. That goes to Harry K. Wong. When I discovered this quote his the amazing book, The First Days of School: How to Be an Effective Teacher, I set to work right away at creating a poster to help inspire my students.
If a student whines about having to do work, I walk over to the poster, tap it, and read the motto aloud. I often tell my class that we do our work to get better and to improve ourselves. I also add that I don’t assign any work to them that I wouldn’t, or haven’t already, done.
School work isn’t merely a waste of time. I make sure to teach to a sense of purpose, to let my students know why we are doing the particular work that we do each and every day. I try to relate our classwork to the real world.
I like to use Tony Hawk as an example. He had to put a lot of work into his sport and craft. He learned how to do tricks that no one had ever attempted before. He learned all of that through hard work. He didn’t just watch his friends skate or copy their moves. He put in the work and it paid off. He is now the most recognized and accomplished skateboarder in the world. 
School work isn’t as exciting as skateboarding. Not by a long shot. But there are still all sorts of ways it can pay off. Learning as much as you can will help you in life. I guarantee it.
So go out there, put in the work, and learn something new. You’ll be surprised at how far it will take you.
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Marguerite Omston Trail Visual Tour

It’s time for another Visual Running Tour. This time, we are heading to Kitchener, Ontario.

This is one of 19 access points to The Walter Bean Trail. It is located on Homer Watson Boulevard and is only a few minutes from Highway 401.

Running through Waterloo, Kitchener, Cambridge, Woolwich and North Dumfries, the trail provides easy access to more than 25 per cent of the Grand River’s 290-kilometre watershed. (City of Kitchener)

The Marguerite Omston Trailway runs for a kilometer or so and then seems to end at a small park at the edge of the road.

But once you cross the street, the trail continues along the Grand River.

Walter Bean was a business and community leader who believed in contributing to the welfare of area residents. He championed the vision of a public hiking trail along the Grand River. Following Walter’s death, his many friends took up his challenge and in 1998 formed The Walter Bean Grand River Community Trails Foundation. To make his vision a reality, this non-profit fundraising corporation has partnered with the cities of Cambridge, Kitchener, Waterloo and the Township of Woolwich to build and maintain a recreational trail. (Walter Bean Trail website)

Construction is underway to upgrade the Kitchener Wastewater Treatment Plant. Not the nicest thing to find alongside a nature trail, but it is a part of life, I suppose.

I’m not sure what this small building is, but it must be part of the sewer treatment plant somehow.

Finally, a hill to run up. Up until now, the trail has been mostly flat.

At the top of the hill, I found a side trail that I decided to run down.

I like these small trails where it feels like I am the only human in the large forest.

The side trail was well worth the trip as it gave me a great view of the Grand River.

This trail goes on and on but I had already been running for about 15 minutes at this point. So I turned around and ran all the way back to the community trail sign. My time was  27:51 and since I know my regular pace is about 4 minutes per kilometer, I ran roughly 7 kilometers today.

That was a great run. I hope you enjoyed this Visual Running Tour.

Chasing Content – June 2008

So far, the first half of June has been great. It’s been a bit hectic at school as we race to the finish line to complete the final assignments and all the other tasks teachers have to do at this time of year.

So why not pause today to take a moment to look back at some of the great moments from this month three years back?

It’s time for “Chasing Content,” that monthly feature where we dig through the archives like an historian going through an important record, which of course, Silent Cacophony is.

You can read all of the posts from June of 2008 or just these gems.

My First Creative Process – Here is the creative process that resulted in my first ever screenplay entitled “Stealth.”

Different Roles We Play – I think that most people can admit to the truth behind this metaphor. It is brilliant and reveals a lot in its sheer simplicity. We do play different roles in this life and perhaps, as such, we are all characters in several different but interlocking stories. Something to think about, isn’t it?

I’m Not Ready – There are so many things that we simply cannot be 100% ready for. My advice is just to jump in and do it. No more excuses.

Survived By Stuff – My first short story since I embarked on this writing life. Please give it a read and let me know what you think.

Stealing Lines – I think borrowing lines from older rap songs is a lazy process that needs to be retired. It used to be cool to pay homage to an artist or pioneer by copying a short line here or there in a new song. This practice is so watered down now that we truly need a footnote system to keep it all in line. Either that, or we can just stop stealing lines.

The Ultimate Question We seem to be constantly striving for a reason or purpose to our existence. I think one author had a great take on this topic. Once again, I am holding up a work of fiction and interpreting it in ways that might seem improbable to men of science or religion. Yet, I think that we can find a lot of truth in the humanities. As such, we owe it to ourselves to explore all the great writing of our time. 

Colourful Language – It seems like the unwritten laws of acceptability change all the time. Is it okay to say “damn” now? Can you say “hell” or do you have to use the less offensive “heck?” And is a euphemism actually any better than the word you substituted?

My Autograph from Hip-Hop Legend Maestro

I have admired Maestro Fresh Wes since I first heard his iconic hit “Let Your Backbone Slide” way back in 1989. I have every album he ever dropped since then.

When Built to Last came out nearly ten years later, I caught him in concert. It was a pleasure to see Canadian Hip-Hop Royalty. Maestro put down an amazing show and surprisingly, even gave some time to the fans afterwards.

As you can see, the marker was starting to get a bit worn out and faded, but I got an autograph from Canada’s first hip-hop superstar, Maestro Fresh Wes.

I actually met again a few weeks back at the Stylus DJ Awards. He was being inducted into the Hall of Fame for his lifetime achievements in hip-hop and entertainment. Here is a small clip from that award show.

Stay tuned to this blog next week for the coverage we did for DOPEfm at this year’s Stylus DJ Awards. We were there on the red carpet and talked to quite a few amazing artists, producers, DJs, and MCs. It was a lot of fun!

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Classroom Deal or No Deal

Deal or No Deal logo.Image via Wikipedia

The end of the year is always a busy time for teachers. I haven’t had the time to write a new Teaching Tip for you this week, so I decided to dig through the archives and repost this one from nearly four years ago. It’s a great game you can play with your class and it would work really well at your year-end class party. 

My students really enjoy Classroom Deal or No Deal. The first time I played it, I didn’t have a Smartboard so I couldn’t use the website or one of the many online resources to play this game. Instead I just used a random number generator, the chalkboard, and a calculator (as a mock phone to the banker.)

After playing Deal or No Deal digitally with my class earlier this year, I must say that I prefer the low-tech way. It really allows me to ham it up.

Here’s how I prepared this game for the classroom.

First, I went to the Deal or No Deal website and copied down all the money amounts. Second, I found a random number generator on the Internet. Then I typed in all the money amounts into the generator and it produced the list you see below. I printed off the list and put it on my clipboard. On one side of the board I put up the chart of the money amounts like you see in the show.

1. 1000
2. 100000
3. 75
4. 400
5. 1
6. 50000
7. 400000
8. 750
9. 200000
10. 10
11. 50
12. 0.1
13. 300
14. 5000
15. 750000
16. 300000
17. 10000
18. 100
19. 25000
20. 5
21. 1000000
22. 75000
23. 500
24. 500000
25. 200
26. 25

I then drew 26 rectangles on the board and labelled them from 1 – 26. I asked the class to pick a suitcase. They picked case number 10. Ironically case ten held ten dollars. I didn’t tell them this, of course. I erased rectangle number 10 from the board and wrote it beside the number chart.

I then wrote the rounds on the board. Round 1 = 6 cases, 2 = 5 cases, 3 = 4 cases, 4 = 3 cases, 5 = 2 cases, 6 = 1 case, and every other round would also be one case to open.

I counted off the first six students by going up each row of desks. This way everyone knew where we would be stopping the first round. One by one I let the students pick a case. I then erased the chosen case from the board and the dollar amount it held from the chart. After we “opened” six cases, I pretended to talk to a banker by using a calculator as a phone. It was hilarious. I really hammed it up.

Each student had a piece of paper on their desk. If anyone liked the deal, all they had to do was write their name on the paper and bring it up to the front. I would then write the dollar amount under their name and stick it on the board. The point of the game was to come out with the most money at the end.

I had some students stop at round 2, 3, and 4, where the offers were $32 000, $64 000, and $99 000. It was exciting for everyone involved. By round 5 all of the big amounts had been knocked off and the offer fell. And just like on the show, I had students play all the way to the end and come away with the ten dollar prize.

The sole winner in the class was the person who took the deal of $99 000. I had three people tie for second place because they took the $64 000 deal and two students tied for third place. I think everyone really enjoyed the afternoon’s game. I know I sure did. I was surprised at how well it actually turned out.

I even gave out prizes for the winners. It was a lot of fun and something I now do with my class every year. Oh, and I forgot to mention, it even teaches probability (but school can just be fun sometimes, can’t it?)

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Witness the Wrap-Up

Chase: “All right. We are back with Witness. If you missed the previous parts of this interview transcript, you can go back and read it now. You can also stream the entire show with the player below, download it for free, or just keep reading. Thanks for tuning in.

Chase: “So we just played ‘Sunburn’ by Witness. I love that track! (starts singing the chorus) Nah, I don’t need to start singing it.”
Witness: “Do it man. You can do it, you can do it. If you want to handle a chorus on the next record, you want to handle it?”
Chase: “I would love that.”
Witness: “It would be great man.”
Chase: “You know what would be really cool too. I have some really enthusiastic kids in my hip-hop club song at school. We’re learning a Nieve track right now. He gave us the instrumental and the lyrics to the track and we’ve been working on it.
It’s hilarious because I have about twelve girls in my hip-hop club at school and they are all 8 or 9 and they’re hammering out this underground hip-hop song.”
Witness: “That’s incredible.”
Chase: “You know what would be cool. I mean, I’d love to do a chorus or something on yours, but knowing that you’re a beatsmith, it would be really cool if you could give us a beat and we could do an original song.”
Witness: “You know what, man? I am so down. For people listening, you heard it hear first. It’s definitely gonna happen. I’d love that. Ya know, I’ve always thought about that. It’s something cool but unless you have some kind of hook up, it’s sort of weird. But you know it would be super-cool. I’d love that.”
Chase: “My hip-hop club is basically a choir except we learn rap songs instead of singing songs. The kids really love it. At first I had a huge group and then when the kids realized it was hard work, ya know, it’s hard to learn all those words and be on time, it kind of dwindled and dwindled. Now I have about a dozen girls in it, but you know what? They’ve got such a heart. It’s so cool, especially to see young girls involved in hip-hop. It’s pretty awesome. I’m impressed with this group.”
Witness: “It’ll be really interesting to see what happens when they grow up. That’s the kind of thing that when they grow up, some of them will hold on to it, some of them might lose it, but I bet that at least one of them will be real dope.”
Chase: “All right, if we’re going to do this, hopefully you can send me a track soon because we only have a month left of school now. It would be so cool to make something happen like that.”
Witness: “I definitely will. That’s a great idea! I love it!”
Chase: “Awesome. This is so cool. I love being on this show. All the connects on here. I never even thought I’d talk to you. It’s pretty cool when you write a blog post saying, ‘I love this album’ and then all of a sudden the artists is like, ‘Hey! Thanks for writing that.’”
Witness: “Yeah, that’s crazy dude. When I listen back to this, I’ll probably wonder why I was heavily reminiscing, but I started up in this when I was 15. I went on my first tour when I was 19 and the Internet was there, but the way to set up shows was still pretty iffy.
There were a lot of ways to do it. You were known on circuits that were basically old punk rock circuits. I told you I’d tell you a story. This story is not very crazy, but it gives you an idea of what we were going through.
We had a show in Providence, Rhode Island. It was my very first tour and I had no idea what I was doing. I was just stoked to be out there. Sage Francis helped set this show up and when we got there, they said, ‘Oh, we’re sorry.’ The promoter who set up the show was fired and your show has been replaced by Gothic Pajama Party.
We didn’t know what to do, and we barely had any money. Sage Francis ended up taking us out to lunch. He had just got back from playing Paid Dues and the Wu-Tang Reunion show that year. He was sitting at the table and asking who of us were rappers. That was just so surreal because I’d been listening to this dude since I was 16.
With the Internet now, you have everything at your finger tips that you previously never had. I mean, honestly, I don’t even remember how we set up that tour. I think, at the time, MySpace was just coming up. Sage Francis told us we should get on MySpace and we had no idea what it was.
But before then, the Rhymesayers dudes were all running the circuit. I saw Eyedea at a concert, I think it was in 2000, in Philly with like 50 people in the room. And oddly enough, every single one of those people I still talk to and about half of them are either doing really well for themselves in something related to hip-hop, or some of them are MCs that you listen to now, or some of them are making beats.
It’s kind of like everyone who is in this, has an opportunity to make something for themselves. You’re right. It’s kind of cool that you can write a blog article and next thing you know we are talking about making songs with a bunch of kids.
Chase: “Yeah, isn’t that hilarious?”
Witness: “It’s a cool thing man.”
Chase: “And for people out there putting in the hustle, I tried to get a rap career popping in the late 90s, and once again before the Internet was really viable and we could use it the same ways. If you look, I’m sure you could still find that out there somewhere, Like Nardwar says, ‘The Internet never forgets.’”
Witness: “Yeah, that’s true man. There’s definitely some Witness jams in some crevice of the Internet that I hope to never see again, ya know? That is the unfortunate part of the Internet. But like you said, anyone out there that is trying to do this, they only thing I can say man, is honestly, you shouldn’t stop.
I rolled with a bunch of dudes and honestly, you get older. You’ve got bills to pay, you’ve got some many things and responsibilities. I know so many talented bands and emcees that just had to stop. But I can assure you, I can promise you, from somebody who is out here in L.A. doing something they never thought they’d do, it’s not exactly my ideal but it’s a life experience.
And it would have never happened if I stopped doing this. And along that road, I assure you, some people are going to think you are crazy. People are going to think you’re irresponsible. But if you just keep doing it and you genuinely believe you can do it, you’ll actually make it work, and everyone will think they’re crazy for not following you in the first place.”
Chase: “Well, I can think of one example, right off the top of my head. Like I said, when I was trying to come up in the late 90s, we had the message boards and that was really the only way to promote yourself. I kept seeing this name Classified all over the place.
Classified is an Canadian MC and he just put out his 12th album but it was his 11th album that hit and made him a star.
Ya know, I quit, This guy kept going on and on and on. So there’s a testament right there about what you’re saying. If you have a passion for the music and you keep doing it and can put in that work, everyone else is gonna fall off, and it might just happen for you one day.”
Witness: “It’s true. And I’ll tell you right now, there’s no such thing as a debut album. It doesn’t exist. I probably made close to 15 – 16 albums. For the people who know me and know my music, for some of them there is only one, for some of them, there is three.
But, yeah, I’ve made 16 albums worth of songs and I’m still not there yet. I’ve got a long way to go. But also, you’re a great example too. If somewhere along the road you decide you don’t want to continue doing it, it also doesn’t mean that you can’t find something that you can do in this culture.
There is something that you can do in hip-hop culture, it’s just kind of a matter of what you want to do. I know it sounds like old-school television after-school special ‘never give up – trust your heart’ kind of thing but there is definitely truth about staying on the grind as long as you can and eventually people will start to take notice. And if not, worse come to worse, some of the best writers are those who didn’t get their due until well after they’d departed.”
Chase: “The weird thing is that I’m hip-hop, through and through, to the bone, and I never, ever though that I’d land in radio. So this is kind of cool. We’re in community radio. It’s volunteer. We’re not getting paid. But I’m having so much fun.
I tell ya, I went from being a listener of community radio to this is how I get my hip-hop, to phoning in to the show as a fan, to actually running, producing segments, and doing these interviews. It’s pretty amazing. You know what else is amazing? Meeting all these MCs and talking to them.
It has been so cool talking to you. I know we have an overnight show here. And it feels like I could talk to you all night long, but unfortunately we do gotta cut this and move on tonight.”
Witness: “I hear ya. It’s been a pleasure man.”
Chase: “Yeah, we’ll have to do it again man, soon. Next time you got something out. Well, I’m sure we’ll be in touch.”
Witness: “Hopefully people will be hearing our track pretty soon, right?”
Chase: “Yeah, for sure. And when this goes up on the podcast I’ll painstaking transcribe it for the blog as well. I like doing that for prosperity’s sake.”
Witness: “And I like reading them. Even if there is an audio file, I’ll read it. It’s definitely getting use. I appreciate it man.”
Chase: “Cool. So, tell the people out there how they can find out more about Witness.”
Witness: “Go to WitnessHipHop.com There are three records you can download for free right now. We’ve got some shirts and everything in. If you’re one of the Facebook kids, the same thing. Come and say ‘What’s Up?’ Say you found this interview and say. ‘What’s up?’ and I’ll promise that it’ll be me that will respond.”
Chase: “All right. Well thanks so much. I’m sure we’ll be linking up soon.’
Witness: “Yeah, man. Cool. I appreciate it. Peace!”
Chase: “Peace!”


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